In being careful and selective about how sin and punishment was classified, the work of Aristotle and Cicero were influential. The same principles of equivocal punishment based on the nature of the crime applied within this context. Instead, there is evidence from both Cicero and Aristotle that the medieval justice system was influenced by these early Roman philosophers.
That is, if the perpetrator stole with his hands, then he risked having it cut off. Partial Application of Christian Doctrine to Medeival Penal Code Within Canto XI, however, the classification of punishment and reasoning do not relate to a single aspect of the medieval system; instead, some application of Christian doctrine is applied while others are not.
This important distinction is one of the most striking differences between the medieval penal code and Canto XI. It was thus seen as a fair means of punishing people. It requires careful reading of the original source and then a critical analysis of what it Specificity of punishment in dantes inferno essay means.
Since Greek and Roman philosophers like Cicero and Aristotle were integral in the development of the medieval justice system, the philosophical and inherited context within philosophy does accurately reflect the penal code. This shows evidence of organization and standardization within hell.
Canto XII will aid our discussion similarly by offering another example of tit-for-tat punishment. As Olson similarly argued, pain did have a critical role in the medieval penal system Luckily, other influences that are relevant to the medieval penal system do apply. Pain was also very important because it represented both Greek notions of reciprocal reactions and isolation of body parts responsible for the crime Myers, ; Olson, Brill Academic Pub, Thus, in terms of the judgment procedure, this Canto related very well to the medieval code.
Works Cited Godsall-Myers, Jean. Another critical aspect of Christian doctrine that was neglected from the Canto was the medieval penal system aspect of repentance. However, crimes of fraud are classified and inherently treated differently. Moreover, the role of the heretics within the Canto are also neglected.
Canto XII also had the same tit-for-tat punishment style that was relevant for the context for the crime. This means that as the person awaits final judgment, he is subject to scrutiny of all of the bystanders. The author of Inferno utilized both of these sources in classifying the different types of crimes and punishments inherent in Canto XI.
Indeed, religion played an important element in the penal system as well. Reade will show that the penal code does not strictly utilize Christian doctrine; instead, the penal code is a compilation of some Roman legal traditions, scholastic insight and some Christian doctrine.
In not mentioning the heretics, Virgil selectively used religious doctrine to explain the structure of hell.
This relates almost equally to how swearing or committing blasphemy in the medieval world was subject to the removal of the tongue Godsall-Myers, Within this Canto, a robust classification system for sinners is offered.
These works and principles, however, are still relevant under the context of the medieval penal code. The distinction between crimes of fraud and force are not supported by religious tradition. Typically, the punishment fit the crime in terms of how the act was carried out.
That is, in neglecting repentance, the basic teachings of sin are not accurate according to the church. During the medieval times circa AD to AD in Europe, Judeo-Christian church doctrine was also influential as sin and punishment was directly related to heaven, hell and divine justice.
While divine justice was carried out with brutality, forgiveness and acceptance of human flaws was also taken into context. Conclusion While all three of the Cantos accurately portrayed the medieval penal code with regard to equivocal punishment and brutality, the religious context was not fully accurate.
Again, the theme of punishing bloodshed within a relevant context, boiling blood, reflects the notion of equivocal penance for their sins. The natural virtues regarding crimes of fraud also relate to medieval notions of justice according to Cicero.
Moreover, as the Christian church held prominence, the penal system was heavily influenced by what the church thought was appropriate Shuger, ; Reade, Consequently, the religious context of the medieval penal code is not fully accurate, but it does reflect other medieval influences of justice.
Indeed, this is further evidence of tit-for-tat punishment. Moreover, in depicting a scene where a crowd is watching, this Canto similarly depicted scenes of public medieval trials that were a spectacle more than a formal procedure.
Therefore, the medieval penal system was not as radical and ruthless as offenders had some opportunity to escape punishment.- Inferno Research Paper Anthony K.
Cassell stated in his critical essay titled “Farinata” that “the methods of punishment in Dante’s Hell are exquisitely diverse.” The cantos in Inferno are focused on Circles or subdivisions of Hell that describe specific punishments for the suffering souls based upon the sin they committed.
Specificity of Punishment in Dante's Inferno Essay by Anonymous User, College, Undergraduate, A- February download word file, 6 pages download word file, 6 pages 2 votes4/5(2).
Oct 11, · Dante Inferno Essay. Analysis of Dante´s Inferno Essay. Punishment in Dante’s Inferno Dante’s The Inferno is his own interpretation of the circles of hell.
The people that Dante places in hell tried to validate their offenses and have never seen the injustice of their crime or crimes. Dantes Inferno In The Inferno, by Dante many of. Essay on The Beasts and Monsters in Dante's Inferno The Inferno is the first section of Dante's three-part poem, The Divine Comedy.
Throughout Dante's epic journey into the depths of Inferno he encounters thirty monsters and five hybrid creatures. From Limbo to Treachery, Dante catalogues and documents the punishment of sinners both infamous and beloved, famous and unknown. In every case, the punishment fits the crime in a twisted and malignant fashion ‘ after all, the poem does discuss the realm of Satan, the Christian embodiment of evil.
Dantes Inferno represents a microcosm of society; that is, laymen, clergy, lovers, wagers of war, politicians, and scholars are all collecte.Download